GETTING STARTED WITH THE MUSICAL BASICS

Bucket drums are typically played with drumsticks in standard “match” grip. A quick demo of the grip and playing style gets students set for some introductory exercises. 

 

How many sounds? Before passing out any buckets, ask players to imagine all the sounds the buckets could create. As buckets are passed out, students work together to discover the eight (or more) sounds on the instrument.

 

Call and response: At this point, the room is loud, but a few simple call-and-response patterns (repeating a simple rhythm played by the leader) bring everyone together. Once this back-and-forth is established, the next step is a simple formative assessment: assessing accuracy in the response while increasing the rhythmic and tonal complexity. 

 

Where’s the beat? As the teacher plays repeating rhythmic patterns, players find and play the steady beat. It may take some trial and error and explanation, but this fundamental understanding sets up players for the next activity and a more complete understanding of music.

 

Complementary rhythms: A tenet of this kind of jam-session-in-the-round playing is that a few simple ideas played together and in sync will sound and feel better than one person playing a complicated pattern or overly fast. Start with a simple repeating rhythmic pattern, then invite players to add different but coordinating rhythm patterns on top—complementary rhythms. It quickly becomes clear that simple, steady ideas work better in the group than complicated ones.

 

Organic differentiation: Through these exercises, organic differentiation starts to occur. Students begin to understand what their skill limits are, and they play at that level, noticing that going beyond their level messes up their playing and interrupts the group flow. This differentiation can occur with minimal direction from the leader or other players.

BUCKET DRUMMING ENHANCES SOCIAL AND EMOTIONAL DEVELOPMENT 

Bucket drumming can also be utilized for specific social and emotional goals. These are great opportunities for music teachers, general classroom teachers, and school counselors to collaborate to supplement music teaching and build social and emotional skills. In bucket drumming, students are doing more than hitting drums. Whenever I lead drumming workshops, it’s exciting to see players realize how much greater the power of listening and playing together is rather than trying to stand out by themselves. Here are some other examples of how bucket drumming can further social and emotional learning. 

 

Controlled applause: At my school, we use a simple clapping response when we are honoring students. When a name is called, everyone claps once, then after a description of why the person is being honored, everyone claps twice. This simple approach allows us to honor students in a way that is equitable and fast-paced. Incorporating an honorary bucket drumline for this is a next step. Trusted musicians can lead the clapping through playing their drums.

 

Intergenerational learning: One of my main venues for bucket drumming workshops are library programs. These workshops are often attended by children with their parents or even grandparents. The organic differentiation makes it possible for people with a wide range of playing abilities to make music together. Bucket drumming is a great family event or outreach activity for connecting with senior citizens or younger students. 

 

CONTROLLING THE VOLUME

The biggest consideration for bucket drumming is the loud volume. Let students know that if we all play as loud as we can, no one will be able to hear anyone else, and it will be uncomfortable for everyone. The teacher needs to take every opportunity to demonstrate dynamic contrast. This shows that excitement and interest is built by the contrast between loud and soft sounds, not just loud sounds. Here are a few more points to consider.

 

Thin sticks: Thin drumsticks work best, not only for volume control, but also to reduce potential damage to the buckets. Drumsticks are sized by number and letter. 7A is a popular light-size drumstick that works well with plastic buckets. These can be bought in bulk at low prices on Amazon.

 

Playing outside: Bucket drumming is a fantastic outdoor activity. It worked well for me to have students carry out stools to sit on and play in a paved area. Students who were sensitive to loud sounds didn’t have any trouble once we were playing outside. Be aware that grass or turf surfaces will absorb sound considerably. 

 

Rotating players: A circle can be set up with drums for only every other student. When students aren’t playing, they’re watching and learning what to do. Rotating every one to two minutes is a good pace to keep players engaged. 

 

OPPORTUNITIES FOR CREATIVITY

Because of the low cost and versatility of bucket drumming, these drums provide creative opportunities that wouldn’t be available for more expensive instruments. 

 

Decoration: Students could paint (and repaint) buckets to fit themes for performances. Wet paint could be poured on drums while playing, creating a splattering effect channeling the performance styles of the Blue Man Group. Attaching cardboard or even wooden decorations to the drums would also be easy.

 

Lights: Plain white buckets are easy to light from the inside. A colleague of mine, elementary music teacher Alison Labita, also purchased light-up drumsticks to enhance this effect in her performances.

 

Harnesses and marching: I have drilled eye hooks into the sides of the buckets and purchased cheap harnesses for informal marching drumlines.             

 

So, when you need a fresh idea, whether for music classes or a musical infusion into the general classroom, get to your local home supply store, get some buckets, and get drumming!